To be perfectly frank: not as much as 10 years ago. Don't get me wrong; they're still fine guitars and I wouldn't discount the possibility that I would buy a V-Class guitar if the right one came along. And maybe it's just my tin ear, but I'm not getting what all fuss over V-Class is about; to me, the overall voice of the V-Class guitars just generally sounds 'thin' by comparison to the older (in particular, the pre-Andy-Powers) bracing schemes. Striving to innovate is fine; but I know from my career in engineering that any given design is a mixture of compromises: gain in one area, lose in another. With V-Class, I'm not perceiving the gain -- but I am perceiving the loss...
And while I applaud Taylor for their desire to reduce waste and use as much of the harvested wood as possible, I've just gotten the impression that the woods (in particular, Koa) are not as visually appealing as they once were. I liked exploring all of the 'exotic' woods that Taylor seemed to use as little as 5 years ago; I have a few Taylor guitars with some very unique body woods in them (my Makore Custom GA springs to mind). I know in practical terms this should be irrelevant; but music can be as much a visual art as an auditory one; and on occasion, we've all bought as much with our eyes as our ears... So for me, this enticement has been almost eliminated from the equation as well.
For me, Taylor has seemed to slowly gravitate away from the things that made them stand out in the premium guitar market; now they're marketing differently, focusing on areas that are (to me anyway) secondary considerations. This has all struck me as an effort to increase their market share and secure it rather than retain their existing customer base, leaving me feeling a bit 'left behind.'
So while I may not ever be in the market for a new V-Class Taylor, there are going to be plenty of older Taylors that will cross my path from time to time... I won't say I'll never buy another Taylor; but it may not be a new Taylor...