« Reply #10 on: March 29, 2012, 07:55:02 PM »
a more linear representation, showing more of an overall range on the x-axis &
mid bump, scoop or relatively flat response as the variation on the y-axis is easier
for me to read & interpret & on a chart like this, if mahogany was closer to the center &
the rest of the 'graph' adjusted to it's response in terms of lows, mids & highs
it might make a little more sense
Got a business trip coming up but when I get back I think I'll try and experiment. Maybe develop a UTGF tonewoods matrix with input from everyone here.
michaelw, I think your x and y description above would be a good place to start. I'll work up a template where each of us could locate the woods we know. Then do a mean average for the final display.
These are the tonewoods I could find. Let me know if I missed any. And certainly don't worry if you are not familiar with any of these. We'll just rate what we know.
And, feel free to tell me this is a crazy idea if you think so! Just thought a chart developed by our ears would mean more to me than the others I've seen.
Back and Sides
African Satinwood
Ancient Kauri
Blackheart Sassafras
Blackwood
Bubinga
Chechen
Cocobolo
Granadillo (often referred to as Black Cocobolo)
Hormigo
Koa
Lacewood
Macassar Ebony
Mahogany
Maple (Big leaf)
Maple (European)
Monkey Pod
Myrtlewood
Ovangkol
Paduak
Pau Ferro (also known as Morado or Bolivian Rosewood)
Purple Heart
Rosewood (Amazon)
Rosewood (Brazilian)
Rosewood (East Indian)
Rosewood (Honduran)
Rosewood (Madagascar )
Sapele
Snakewood
Sycamore
Walnut (Black)
Walnut (Claro)
Walnut (White)
Wenge
Ziricote
Soundboard (Top)
Adirondack Spruce (also known as Eastern Red Spruce and Appalachian Spruce)
Englemann Spruce
European Spruce
Italian Spruce
Redwood
Sinker Redwood
Sitka Spruce
Western Red Cedar

Logged
Blackbird, Froggy Bottom, Gibson, Goodall, Hatcher,
Kanile'a, Kinnard, Kwasnycia, Martin, Rainsong,
Ryan, Santa Cruz, Taylor, Voyage Air, Weber