« Reply #2 on: January 18, 2020, 11:35:31 AM »
I think you're on the right track to finding the tone you prefer by exploring the Grand Symphony (GS) and Grand Orchestra (GO) models.
The only difference between the Grand Auditorium (GA) and the GS is the size of the lower bout; if I recall correctly, the GS lower bout is 1/4-inch wider (measured across the top) than the GA. It doesn't sound like much, but does produce a deeper tone. The overall dimensions of the GO take that another step compared to the GS; while the width of lower bout remains the same, the body is deepened by approximately another 1/4-inch.
I really haven't tried the Grand Pacific (GP) models yet, so I can't say how those compare in this mix. My impression from reading the press is they were intended to derive a more 'Martinesque' tone from Taylor's Dreadnought model; how they achieved that I haven't researched.
When making your comparisons, try as much as possible to play the different body types with the same wood combination (e.g., Sitka Spruce & East Indian Rosewood); that way you're just hearing the tonal differences the body shapes are making, not how the tonewoods are coloring it.
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DN: 360e, 510ce, 510e-FLTD, 810ce-LTD (Braz RW), PS10ce
GA: 414ce, 614ce-LTD, 714ce-FLTD, BR-V, BTO (Makore, 'Wild Grain' RW, Blkwood), GAce-FLTD, K24ce, PS14ce (Coco, Braz RW, "Milagro"), W14ce-LTD
GC: 812ce-LTD TF, BTO TF ('Sinker'/Walnut, Engelmann/"Milagro"), LTG #400
GO: 718e-FLTD, BTO (Taz Myrtle)
GS: Custom 516e, BTO 12's (Taz Tiger Myrtle, 'Crazy' RW), 556ce, 656ce, K66ce, PS56ce ("Milagro")
GS Mini 2012 Spring LTD (Blackwood)
T3/B: Custom (Cu & Au Sparkle)
T5: C1, C5-12, S (Aztec Gold)