« Reply #20 on: March 27, 2014, 11:00:48 AM »
Ovangkol can display many different colors and patterns. I'm still wondering whether that's really a two-piece back with some dramatic color/grain variation in the center. Most Taylor 3-piece backs have a distinct purfling border on the middle wedge, but in all instances, you can really see the three pieces clearly. Yours appears to a two piece back with some striking varigation. Not trying to be argumentative as you have the actual guitar in front of you. In any case, it is very pretty!
I hear what you're saying, and thought the same thing myself. But if you look at the photo showing the inside of the soundhole, you can see the thin wood strips that Taylor puts along the seams of the back splaying out along that third piece in the center. It's definitely a three-piece back -- and a very interesting one at that, the way Taylor used the lighter-toned Ovangkol between the two darker pieces. I think they may have deliberately omitted the purfling they typically place between the pieces of the three-piece back to create a more seamless visual effect for the back, letting the differences in shading do what the purfling normally does for the asthetics of the three-piece back. Definitely eye-catching!
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DN: 360e, 510ce, 510e-FLTD, 810ce-LTD (Braz RW), PS10ce
GA: 414ce, 614ce-LTD, 714ce-FLTD, BR-V, BTO (Makore, 'Wild Grain' RW, Blkwood), GAce-FLTD, K24ce, PS14ce (Coco, Braz RW, "Milagro"), W14ce-LTD
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GS: Custom 516e, BTO 12's (Taz Tiger Myrtle, 'Crazy' RW), 556ce, 656ce, K66ce, PS56ce ("Milagro")
GS Mini 2012 Spring LTD (Blackwood)
T3/B: Custom (Cu & Au Sparkle)
T5: C1, C5-12, S (Aztec Gold)