I guess you need a better Telephone Line...
Oh dear... I'll forgive you for that
Sorry. Can't help myself sometimes...
... My sister bought when I was a kid - I must have been about 8 years old at the time. I've been a fan ever since, though I suspect from what I've seen on here that I'm not quite in the same league as you...
To date, that's my favorite ELO album. Almost everyone (including Jeff Lynne) seems to hold up
Out Of The Blue as the group's best work, but I think
A New World Record is, end-to-end, musically and lyrically stronger. I would call
A New World Record ELO's artistic peak, whereas
Out Of The Blue is more their 'commercial' peak.
That being said, I do find enjoyable music on all of their albums. Jeff Lynne just seems to write good songs that I often find touch and reflect some aspect of my life.
... Truth is, take away the production, and the songs are bullet proof (just like the other great pop songs from that time - think Lennon, Mc Cartney, Benny Andersson, the Gibb brothers etc.) - perfect for "one man and his guitar"...
Well, perhaps Jeff is just a good enough song writer that everyone finds something in his songs with which to identify? Jeff himself has been coy about explaining the meaning behind his songs, often implying that they mean exactly whatever they mean to the listener. Perhaps the best example of this is "Livin' Thing": Jeff has simply said the song is about love; but others see more specific meanings in the song's lyrics, most notably an anti-abortion message. But Jeff continues to just leave it all to the listener...
So perhaps that's one of the litmus tests of a well-written song: how widely its lyrics can be interpreted -- as well as how many styles in which the song can be successfully performed? About 14 years ago, there was a tribute album release called
Lynne Me Your Ears. It was filled with cover versions of Jeff's music -- from his early groups such as The Idle Race, to his later solo album (
Armchair Theatre) and days with The Traveling Wilburys -- each by a different artist. While many of the artists simply chose to 'modernize' their contribution to the album, leaving the song otherwise recognizable, others altered the performances to be more consistent with their own musical styles. Some of the more 'divergent' musical interpretations were:
- Earl Slick's grunge-like version of "Ma-Ma-Ma Belle"
- Richard Barone's smoothly-funky rendition of "Showdown"
- Ross Rice's hip-hop take on "Evil Woman"
- Tony Visconti's similarly hip-hopish performance of "Mr. Blue Sky"
- The sudden, mid-song transformation of "One Summer Dream" by Prairie Sons and Daughters from ballad to 'power' ballad; as well as their mixing of elements from "In Old England Town" as part of the extended ending
- The complete transformation of "On The Run" into a ballad by Sixpence None The Richer
- And an interesting Beatlesque touch on the end of Roger Klug's grungy rendition of "Turn To Stone"
Although some of the musical styles don't generally appeal to me, I found the album to be evidence of what I think we're both saying: that a good song is just a good song, no matter who plays it...
... Oh... did I just admit to being an Abba fan???
Nothing wrong with that. Their songs are often catchy and enjoyable as well!